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This chapter explains the procedures performed in the in the Management tab of the Content Server web User Interface (UI).
The Management tab is in four menus, and each menu has submenus:
– Cluster Overview (appears only with a cluster deployment)
To display the Server overview page, go to Diagnostics > Server overview . This page displays the status of the Content Server and is automatically updated every ten seconds. On a standalone Content Server, user can add option keys to activate features, you cannot update any fields on this page. For a Content Server in a cluster, this page is also used to set the System name, H.323 IDs and E.164 aliases.
The shows the server overview in the Diagnostics section.
The name for the Content Server that is unique in the cluster. |
The System information section is displayed only for Content Servers in a cluster. You can set the system name for a Content Server here only if it is in a cluster. Go to Site Settings to set this field for a standalone Content Server. If the Content Server is in a call when this field changes, it enters into the Configuration reload mode. The change will not take effect until all calls have ended. |
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The system non-live and live H.323 IDs for this Content Server to register to the gatekeeper. It is not recommended to call the Content Server using these H.323 IDs while in a cluster. |
The System information section is displayed only for Content Servers in a cluster. You can set the H.323 ID for a Content Server here only if it is in a cluster. Go to Site Settings to set this field for a standalone Content Server. If the Content Server is in a call when this field changes, it enters into the Configuration reload mode. The change will not take effect until all calls have ended. |
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The system non-live and live E.164 aliases for this Content Server to register to the gatekeeper. It is not recommended to call the Content Server using these E.164 aliases while in a cluster. |
The System information section is displayed only for Content Servers in a cluster. You can set the E.164 alias for a Content Server here only if it is in a cluster. Go to Site Settings to set this field for a standalone Content Server. If the Content Server is in a call when this field changes, it enters into the Configuration reload mode. The change will not take effect until all calls have ended. |
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Online : The Content Server can accept calls and transcode outputs. Configuration reload : One or more of system name, gatekeeper settings, advanced H.323 settings, SIP settings or email settings have been saved in Configuration > Site settings while the Content Server was in a call. The Content Server is not accepting new calls. When current calls are complete, settings are updated. Then the server mode changes to Online . Maintenance : If the Content Server is in a cluster, the site manager can place it in Maintenance mode, which means that no new calls or offline transcoding jobs are accepted. Entering maintenance mode or rejoining the cluster is done on the Cluster overview page. Idle : The Content Server wizard is running. The Content Server is not accepting new calls or processing new offline transcoding jobs. To exit idle mode, complete or cancel the wizard. Offline : The Content Engine service is not running. Current calls are dropped, and new calls are not accepted. To exit offline mode, start the Content Engine service. For example, you can restart the Content Engine service by restarting the Content Server. In the web interface for Windows Server administration, go to Services > Stop the service > Restart the service . Error : The Content Server is out of disk space. Less than 5% disk space remains free on the C: or E: drive or on the network attached storage (NAS). Error might signify that the Content Server has lost connection to the NAS. Current calls are dropped, and new calls or offline transcoding jobs are not accepted. To exit Error mode, free up disk space, or, if the storage location is on a NAS (see below), check the NAS, the share permissions and the network. |
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A list of recordings that are currently being played back on endpoints. Each recording is identified by its name and duration. |
Click End Call to terminate playback of the recording on the endpoint. Click End all calls to terminate playback of all recordings. |
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Click Edit to display the Edit recording page for the recording. |
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The current Transcode Engine status and Parallel Transcoding Engine2 status. |
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An arrow in the counter-clockwise direction means that recordings are being transcoded. No means that no recordings are being transcoded. If the Content Server is currently transcoding, the transcoding job list displays a list of recording names that are currently being transcoded, the outputs being produced and the percentage completed. |
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Click Edit to display the Edit recordings page or Manage outputs to display the Manage outputs page for the recording. |
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The End all calls button is displayed when there are calls in progress. |
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The serial number is used to generate keys that are required to upgrade the Content Server. |
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The software version is also displayed at the bottom of every page in the My Recordings and Management tabs. |
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The total available disk space, free disk space and the free disk space as a percentage of the total for the C: and E: drives. If the media storage location is on a NAS (see below), disk space on the NAS is also displayed. |
The graphic space indicators are red if free disk space is less than 10%. When free disk space is less than 5%, the Content Server drops current calls and enters Error mode (does not accept any new calls or new offline transcoding jobs). |
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Displays the server address, port, and instance to the database for this Content Server. |
On a standalone Content Server, database data source is always Local Content Server . For Content Servers in a cluster, the database is located on an external server. |
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The default media storage location is on the local E: drive. When a local drive is used, this field displays Local Content Server . For Content Servers that uses a Network Attached Storage (NAS) device, a path to the NAS location is displayed. |
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Content Server features can be activated by adding option keys provided by authorized Cisco resellers or partners; for example, the clustering option key, the Premium Resolution option key and the 5 Additional Recording Ports option key to enable up to 10 concurrent on-demand recordings. |
After adding the option key, click the Restart service button for the installed option key to take effect. |
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Click the Restart service button to restarts the Content Engine. All current calls are dropped, but restarting the service does not affect transcoding or displaying web pages. |
Up to ten Content Servers can be clustered to increase the total call capacity and improve redundancy and resilience. Such a cluster uses scalable external storage, an external Microsoft SQL Server database, and provides one web interface for viewing and managing the cluster. Calls are balanced across the cluster by the VCS. The use of a network load balancer ensures that incoming HTTP user requests are spread evenly across the servers in the cluster. All configurations and recording information are global across the cluster.
If you access a cluster from a load-balanced address, not all menu items are displayed. To access other Management tab menus, site managers must log in to an individual node on the cluster by using the node’s IP address or fully qualified domain name (FQDN).
If you are in a cluster deployment, the Cluster overview page provides information about cluster status, as well as the number of calls and offline transcoding jobs in progress. It is automatically updated every ten seconds.
Displaying the Cluster Overview
To display the Cluster overview page, in the Management tab, go to Diagnostics > Cluster overview . The Cluster overview page does the following:
Maintenance mode should be used to ensure that no new calls are made to a Content Server—for example, if you want to defragment its drive, run a Windows security update installer or update antivirus software on that Content Server. You should also put a Content Server in Maintenance mode (after ending its current calls) if you need to shut it down and move it to another location.
To put a Content Server in Maintenance mode, click Enter maintenance mode . The button changes to Rejoin cluster , and the Server mode displays Maintenance . After you have completed maintenance, click Rejoin cluster . The button changes back to Enter maintenance mode and Server mode displays Online . This means that the Content Server is now ready to receive calls and offline transcoding jobs.
To view the Content Server logs, go to Diagnostics > Server logs . The logs from the Content Engine are displayed by default. To view other logs, select a log type from the drop-down list.
You can also access logs from the E:\logs directory on the Content Server. Service event logs for the Content Engine, Transcode Engine, and Helper services can be found in the Windows Event Viewer when you Remote Desktop to the Content Server. These events show service starting and stopping information.
These are the four types of logs:
– Dual video start/stop during a call
– Gatekeeper and SIP registrations
– Information about the generation of live streaming and live transcoded outputs
– Reasons for disconnected and rejected calls
A new log is created every time the Content Engine service restarts or if the current log exceeds 10 MB.
A new log is created every time the offline Transcode Engine service is restarted or if the current log exceeds 10 MB.
– The transfer of transcoded and dump files from temporary to final storage location
– Exporting and importing of .tcb files
– Hinting for MPEG-4 for QuickTime outputs
– When recording outputs have been deleted
A new log is created every time the Helper service is restarted or if the current log exceeds 10 MB.
The phperror log file rolls automatically when the file size is approximately 5 MB. Click the Roll log file to start a new log file manually.
To view the Content Server transcoding queue, go to Diagnostics > Transcoding queue . The transcoding queue shows recordings for which the Content Server is currently processing (transcoding) the outputs. The number and types of output depend on the recording alias (see the Recording Aliases section for more information) that was used for the recording. The number and types of output could also depend on what options were selected in the Manage Outputs page. See Understanding Recording Aliases for more information.
The Transcoding queue page refreshes automatically every 10 seconds.
Note When two recordings are being parallel transcoded.
Only site managers have access to the recordings transcoding queue. Guests, viewers, and creators see the transcoding icon next to recordings when outputs are queued for transcoding.
You can display a list of editable recordings by going to Recordings > Edit recordings . From this list, you can do the following:
Users with the appropriate permissions and all site managers can edit recording settings at any time.
To edit recording settings, do the following:
Step 1 Go to Recordings > Edit recordings . A list of recordings appears.
Step 2 Locate the recording whose settings you want to edit.
Step 3 Click Edit recording . A page that includes the settings for the recording appears.
Step 4 Update recording settings as needed (see Table 1-2).
Step 5 After updating the settings, click Save .
The name of the recording to be displayed in the View Recordings pages. |
The default name is the type of recording ( OnDemand only or Live and OnDemand ) and a date/time stamp. You can edit this name (maximum 255 characters) to help users find the recording when they search. |
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Optional. The optional description (maximum 1500 characters) can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Choose a category under which to list the recording in the View Recordings pages. |
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The length of the recording rounded to the nearest minute. In parentheses, length of the recording in HH:MM:SS format. |
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A thumbnail is an image from the recording that helps users to identify the recording. Thumbnails images are taken at 5 seconds, 1 minute, 5 minutes, 30 minutes, and 1 hour into the recording. The image at 30 minutes into the recording is the default. If the recording is less than 30 minutes, the default is last image taken. |
Choose a thumbnail to represent the recording. You might need to refresh the page or restart the browser to see the thumbnail that you chose. Click the thumbnail to choose it. An orange frame surrounds the thumbnail that represents the recording. |
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Groups and users who can view the recording. Click the Check access list button to validate your entries. Entries are also validated when you click the Save button. |
You can give viewing access to one of the following:
Note After you click Check access lists, Place call, or Save, the users entered have the following formats: – Local authentication mode: MACHINENAME\user.name – Domain authentication mode: DOMAINNAME (optional)\user.name – LDAP authentication mode: user.name All groups will be in the format group.name where the group name is expanded to the full LDAP name (for example, “CN=group.name, OU=staff, DC=company, DC=com”). |
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If checked, the selected groups and users under Who can view this recording can view this recording. The groups and users in the editors list can always view and edit the recording. |
This box is checked by default. When this box is unchecked, the recording does not appear in the View Recording pages. The recording still appears in the Edit recordings list. Next to the recording, the Publish recording button appears. When you click that button, all specified groups and users can view the recording. |
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You can enter a password to restrict streaming access to this recording and the ability to download content. The password will be visible in clear text to editors of this recording and to site managers. |
If a password is not entered, users who can view the recording in the View Recordings list can play the recording and download any available content. If a password is entered, users must know the password to stream or download the recording. |
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Groups and users can edit recording information and permissions, use the Content Editor (see Open Content Editor ) to change the recording, add more outputs to completed recordings using the Manage Outputs page, and delete the recording. Use Check access list to validate your entries. They are also checked when you click Place call or Save . |
Enter all or part of the name or display name of the group or user (either one per line or separated by a semicolon).
– With Guest Access disabled : enter groups and users that have been added to Active Directory for the LDAP server configured for the Content Server. Otherwise, the entry will be removed when you click Check access list , Place call , or Save . – With Guest Access enabled : enter groups and users that have been added to Active Directory for the LDAP server configured for the Content Server. Otherwise, the entry will be removed when you click Check access list , Place call , or Save . If a creator adds a user or group to the access list that does not exist on the Content Server, a site administrator must add also that user or group to the Groups and Users . If only part of a group or username has been entered, clicking Check access list , Place call , or Save adds all matching groups and users to the list. Note After you click Check access lists, Place call, or Save, the users entered have the following formats:
All groups will be in the format group.name where the group name is expanded to the full LDAP name (for example, “CN=group.name, OU=staff, DC=company, DC=com”). |
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Check to make the recording available for playback on an endpoint. |
When you check this box, either a playback H.323 ID or playback E.164 alias will appear. Depending on the Content Server configuration, both might appear. Give users the playback E.164 alias or the playback H.323 ID. Instruct them to dial the alias or ID from an endpoint. Doing so will play back the recording. If this check box is not on the Edit recording page, a Content Server site manager has not configured the prefixes necessary for an E.164 playback alias or H.323 playback ID. Contact a site manager for more information. The recording cannot be played back on an endpoint if it has not been published. See the Publish recording setting above for more information. A recording with restricted viewing access and no viewable interface outputs can be played back from an endpoint. The PIN (optional) field enables you to PIN protect this recording. Tip You can also PIN protect all new recordings created with your personal recording alias (see the Adding or Editing Recording Aliases).
Note The content server must be in gateway mode, and have an E.164/H.323 playback prefix for playing on endpoints. See the Site Settings to configure the E.614/H.323 playback prefix. Note The content server must be in trunk mode, and have a SIP playback suffix for playing on endpoints. See the Trunk mode to configure the SIP playback suffix. |
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Click Export record export to export the recording as a .tcb file. When it appears, click Download exported recording link and save the exported .tcb file to an external network location. If necessary, you can also click the Update exported recording link to update the previously exported recording. |
How long export takes depends on the duration of the recording and the number of outputs. When complete, the page displays links that allow you to update the exported recording and download the .tcb file. If the recording cannot be exported (for example, because it has pending outputs), the Export recording section does not appear. You can try again later. The .tcb file remains on the source Content Server for a week from the date of exporting. Then the Content Server automatically deletes the.tcb file. Before this automatic deletion, you can update the information and outputs for this recording and export it again by clicking Update exported recording. Updating the exported recording replaces the original .tcb file with an updated one. |
Figure 1-3 Play recording on endpoints
Users with the appropriate permissions and all site managers can use the Content Editor to edit recordings. To use the Content Editor, see the following sections:
All changes that you make to a recording are non-destructive.For example, you can change the position of the slider at the beginning or at the end of the recording many times.
Viewing the recording in a player reflects the changes immediately. Downloads need to be transcoded again. Click Save and close to start the transcoding process. Transcoding again removes existing downloadable outputs and replaces them with the newly transcoded output.
Note To open a recording in the Content Editor, the recording must have outputs that can be viewed in a player. You can use the Content Editor on an Apple Mac using MPEG-4 for QuickTime or MPEG-4 for Flash. The Content Editor is not available on the Mac for Windows Media recordings using Silverlight.
To open the Content Editor, do the following:
Step 1 Go to Recordings > Edit Recordings . A list of editable recordings appears.
Step 2 Find the recording that you want to edit with the Content Editor.
Step 3 Click Open Content Editor . A window that lists the formats of available outputs appears.
Step 4 Click an output format link to open the Content Editor window.
Parts of the Content Editor window
You can add indexes to make it easier for viewers to find important points in the recording. Index titles appear in a player when users watch the recording. When users click an index, the recording plays from that index point.
To add an index, do the following:
Step 1 Pause the recording where you want an index.
Step 2 Click Add index . A new index appears in the Indexes section. Each index includes the time of the index point and a default title (Index<number>).
Step 3 If you want, click the default title and change it to something more meaningful to viewers.
Step 4 Click Save and Close to save your index.
Note You can add, delete, or rename indexes in the Content Editor only.
To remove time from the beginning or the ending of a recording, do the following:
Step 2 Move the sliders at either end of the seek bar to where you want them. The slider for the beginning of the recording is on the left; the slider for the end of the recording is on the right. In the player, the recording will start from and end wherever you move the sliders.
Step 3 Click Save and Close to save your slider settings.
Removing a Middle Section from a Recording
To remove a middle section, do the following:
Step 1 Click the Join recording button. A list of recordings that can be joined to the one that you have open in the Content Editor appears.
Step 2 Click the Join recording link for the same exact recording. Two thumbnail images appear in the Content Editor window. The first thumbnail with the highlighted box is the original recording. The second thumbnail is the recording that you joined to the first.
Step 3 Ensure that you have chosen the first thumbnail by clicking it.
Step 4 Move the slider for the end of this recording (the right side) to the beginning of the section that you want to remove.
Step 5 Click the second thumbnail.
Step 6 Move the slider for the beginning of this recording (the left side) to end of the section that you want to remove.
Step 7 Click Save and close . Then check the results of the removal by playing it back in a player. Redo this procedure until you have adjusted the recording properly.
You can join recordings (also know as concatenating) so that they play consecutively. You can join recordings under these conditions:
To join two recordings, do the following:
Step 1 Click the Join recording button. A list of recordings that can be joined to the one that you have open in the Content Editor appears.
Step 2 Click the Join recording link for the recording that you want to join to first recording.
Step 3 Click Save and close . Then check the results of joining the recordings in a player. If you want, crop the recordings for a better playback experience (see Cropping a Recording for more information).
Users with the appropriate permissions and all site managers can manage recording outputs at any time.
To manage outputs, do the following:
Step 1 Go to Recordings > Edit recordings . A list of recordings appears.
Step 2 Locate the recording whose settings you want to edit.
Step 3 Click Manage outputs . A page that includes the output settings for the recording appears.
Step 4 Update settings as needed (see Table 1-3).
Step 5 After updating the settings, click Save .
The bit rate in kbps (kilobits per second) at which the recording was created. |
This number might affect the bit rate of medium and large outputs. |
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Whether or not this recording was recorded with a dual video stream. |
This recording characteristic affects the layouts available for outputs. Only the single video layout is available if this recording was created without a dual video stream. |
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If you check this box, go to the Outputs to view in the Content Server web interface to select output settings for a player. |
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If you check this box, go to the Outputs to download for portable devices to select output settings for a player. |
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If you check this box, go to the Outputs to download for general purpose to select output settings for a player. |
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Distributed to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U |
If you check this box, go to the Outputs for distribution to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U to select output settings for a player. |
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If the recording was created without a dual video stream, the single video layout with one stream that shows the main video source is created. If the recording was created with a dual video stream, the main video and presentation streams are composited into a single video stream. These different layouts determine where the main video and the presentation are placed in the composited video:
– Force 16:9: an event-style presentation layout that focuses on the presentation stream while maintaining a reasonably sized main video stream within a guaranteed 16:9 aspect ratio layout.
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These formats can be viewed on a PC as long as the correct plugins have been downloaded and installed. MPEG-4 for QuickTime, MPEG-4 for Flash, and Windows Media (played using Silverlight) are available for Apple Mac when the correct plugins have been downloaded and installed. |
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Choose up to two recording sizes based on your user streaming environment and internet connection. |
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Displays the target bit rate for the small, medium and large output sizes. The number that is displayed depends on the target bit rates set in Site Settings and the call speed at which the recording was created. |
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Choose the Media Server Configurations for on-demand viewing of the recordings that are created with this template. Formats not selected above are dimmed. |
The media servers configurations that are shown in the drop-down lists by default are those selected in the system defaults section of
Site Settings
. The Optimize for motion check box improves the quality of high-motion recordings. |
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If the recording was created without a dual video stream, a file that shows the single video layout is created. The file shows the main video source. If the recording was created with a dual video stream, the main video and presentation streams are composited into a single video file. These different layouts determine where the main video and the presentation are placed in the composited video: |
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Select portable device(s) and whether you want audio and video or audio only: |
After the Content Server transcodes the recording, these outputs are available for download from the View Recordings page. Click the Download tab for the recording. Then click the output file that you want to download for synchronization with your portable device. iPod formats are optimized for fifth-generation Apple iPod (and compatible) devices. Zune formats are optimized for first-generation Microsoft Zune (and compatible) devices. |
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If the recording was created without a dual video stream, a file that shows the single video layout is created. The file shows the main video source. If the recording was created with a dual video stream, the main video and presentation streams are composited into a single video file. These different layouts determine where the main video and the presentation are placed in the composited video:
– Force 16:9: an event-style presentation layout that focuses on the presentation stream while maintaining a reasonably sized main video stream within a guaranteed 16:9 aspect ratio layout.
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Because these outputs are downloaded and viewed on a computer, the quality of the Internet connection is not an issue, except as the connection affects the time it takes to download. After downloading, users can watch the recordings without being connected to the Internet. Note If the download time exceeds 20 minutes, the download will fail. |
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Displays the target bit rate for the small, medium and large output sizes. |
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Outputs for distribution to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U |
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If the recording was created without a dual video stream, a file that shows the single video layout is created. The file shows the main video source. If the recording was created with a dual video stream, the main video and presentation streams are composited into a single video file. These different layouts determine where the main video and the presentation are placed in the composited video:
– Force 16:9: an event-style presentation layout that focuses on the presentation stream while maintaining a reasonably sized main video stream within a guaranteed 16:9 aspect ratio layout.
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Select this option and a media server configuration (see Media Server Configurations ) for Media Experience Engine 3500 to automate the process of uploading recorded content to your Media Experience Engine 3500 server. |
The size of the output for Media Experience Engine is always large and always MPEG-4 format. |
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Select this option and a media server configuration (see Media Server Configurations ) for Show and Share to automate the process of uploading recorded content to your Show and Share server. |
Choose the size ( Small , Medium or Large ) of the output to upload to Show and Share. |
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Select this option and a media server configuration (see Media Server Configurations ) for Podcast Producer to automate the process of uploading recorded content to your Podcast Producer server. |
The size of the output for Podcast Producer is always large. |
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Select this option and a media server configuration (see Media Server Configurations ) for iTunes U to automate the process of uploading recorded content to an iTunes U account. |
Choose the size ( Small , Medium or Large ) of the output to upload to iTunes U. You can also specify an additional audio-only output. |
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Displays information about the outputs created for viewing in the Content Server web interface. |
The following information is shown for each output:
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Displays information about the outputs created for Portable Devices. |
The following information is shown for each output:
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Displays information about the outputs created for download to users' computers. |
The following information is shown for each output:
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Outputs for distribution to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U |
Displays information about the outputs created for use with Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U. |
The following information is shown for each output:
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Site managers can copy a recording from one Content Server to other Content Servers. Copying a recording involves exporting it from one Content Server and importing it to another. Recordings must be copied one at a time.
Note If the export time exceeds 20 minutes, the process will fail.
Note Below is an overview of the copying procedure. See Importing a recording for how to import.
To copy a recording, do the following:
Step 1 Export the recording as a .tcb file (see “Export Recording” in Table 1-2).
Step 2 Download the .tcb file to an external directory. The outputs served by the Media server configurations (Local IIS Web Server) and the recording information and permissions are copied and packaged in a .tcb file, which is a proprietary format.
Step 3 Upload the .tcb file to another Content Server. Files under 2 GB in size can be uploaded using the web interface. Use Windows Remote Desktop Connection to upload files that are larger than 2 GB.
Step 4 Import the recording. Uploaded .tcb files are listed on the Import recordings page. Importing unpacks the .tcb file and displays the recording in View Recordings .
Site managers can import the .tcb file of a recording to a Content Server. The .tcb file contains the outputs served by the Media server configurations (Local IIS Web Server) and the recording information and permissions.
The import functionality of the Content Server web interface checks the files inside the .tcb bundle, their structure, and the signature of the bundle. The Content Server rejects invalid or corrupted .tcb files. Files with incorrect extensions (an extension other than .tcb) that are uploaded through Remote Desktop to the Content Server Imports shortcut are not displayed on the Import Recordings page.
To import a file, do the following:
Step 1 In the web interface, go to Recordings> Import recordings .
Step 3 Browse to the .tcb file of the recording that you want to import.
Step 4 Click Upload . The Automatically import recording after upload box is checked by default. If you leave this setting checked, you do not need to manually import the file. If you uncheck this box, the recording file is uploaded and displayed on the Import recordings page with the state Not imported . You must import the file by going to Recordings > Import recordings . Next to the recording, click Import . Unpacking might take some time. After the recording outputs have been unpacked and recording state has changed to Imported , the recording is displayed in View Recordings .
To import a file through Windows Remote Desktop, do the following:
Step 1 Access the Content Server through Remote Desktop Connection on your PC.
Step 2 Copy the .tcb file to the Imports shortcut on the desktop. In the web interface, the recording is then displayed on the Import recordings page with the state Not imported .
Step 3 Go to Recordings > Import recordings . Next the recording, click Import .
Note Use this method if the file is larger than 2 GB or if the file is taking too long to upload through the web interface.
You can also delete an imported .tcb file by checking the box next to the recording and clicking Delete selected . Deleting the .tcb file does not affect the imported recordings in View Recordings .
From the Recordings > Create recording in the Management tab, site managers can create recordings.
To create a recording, do the following:
Step 1 Go to Recordings > Create recording .
Step 2 Select a recording alias from the Recording alias drop-down list (see Table 1-4).
Step 3 Enter the number or address of the endpoint or system that the Content Server should call to make the recording. You can configure the settings in the Recording information and Recording permissions sections before, during, or after recording.
Step 4 Update Advanced call settings as needed (see Table 1-4).
Step 5 To join a password protected MCU conference, enter the PIN.
Step 6 Click the Place call button when you are ready to start recording from the endpoint or system. If the recording alias that you use to record has the five-second countdown timer enabled, the countdown is displayed on the endpoint or system before recording starts. Recording starts when a red dot and ‘Recording’ is displayed on the endpoint or system.
Tip If you do not see the message or recording poster that confirms the Content Server has joined a password protected MCU conference on an endpoint that has joined the call, hang up and try the call again, ensuring that you enter the correct PIN.
Step 7 Click the End call button when you are ready to stop recording.
You might have a personal recording alias, or you might have been advised to use a system recording alias (for example, the Default OnDemand only alias). If others are permitted to watch while recording is in progress, select a recording alias that allows live streaming. Recordings that are made with aliases that do not permit non-live streaming can be watched only after their outputs have been transcoded. How long transcoding takes depends on the length of the recording and how many other recording outputs the Content Server is processing when the recording call ends. You can see whether outputs for your recording are in the queue to be processed by going to Diagnostics > Transcoding queue. Note No live resources available is displayed if the Content Server is already streaming the maximum number of live recordings. When you see this message, you can only select recording aliases without live streaming. |
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The outputs that are produced with the selected recording alias. |
The Template outputs popup displays the outputs that the template selected for this recording alias produces. This popup includes the following:
If these are not the outputs that you want, select a different recording alias. |
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Enter the number or address of the endpoint that the Content Server should call to make the recording |
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By default, the bandwidth is set to 768 kbps if 768 kbps is selected in the call configuration for the selected recording alias. You can change the setting to any of the speeds selected in the call configuration (see Call Configurations ) used with the selected recording alias (see Recording Aliases ). |
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If you are dialing an IP address, H.323 ID or E.164 alias, the Call type should be H.323. If you are dialing a SIP URI, the Call type should be SIP. SIP might not be an available option if SIP settings are not enabled in Site Settings . |
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When you click Place call , the Content Server calls the endpoint or system. If the five-second countdown timer is enabled, the countdown is displayed on the endpoint or system. Recording starts when a red dot and ‘Recording’ is displayed on the endpoint or system. |
Click Place call after you have selected a recording alias and entered the dial number (address) of the endpoint. |
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Click the plus sign (+) to see full recording information and permissions. |
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The name of the recording to be displayed in the View Recordings pages. |
The default name is the type of recording ( OnDemand only or Live and OnDemand ) and a date/time stamp. You can edit this name to help users find the recording when they search. If you leave the name field blank, the default name is the name of the recording alias that you use to record. |
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Optional. This optional setting can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Keywords that can be used to search for the recording. These keywords are not displayed to users. |
Optional. This optional setting can help users find the recording when they search. |
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Choose a category under which to list the recording in the View Recordings pages. |
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Groups and users who can view the recording. Click the Check access list button to validate your entries. |
You can give viewing access to one of the following:
Note After you click Check access lists or Place call, the users entered have the following formats: – Local authentication mode: MACHINENAME\user.name – Domain authentication mode: DOMAINNAME (optional)\user.name – LDAP authentication mode: user.name All groups will be in the format group.name where the group name is expanded to the full LDAP name (for example, “CN=group.name, OU=staff, DC=company, DC=com”). |
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If checked, the selected groups and users under Who can view this recording can view this recording. The groups and users in the editors list can always view and edit the recording. |
This box is checked by default. When this box is unchecked, the recording does not appear in the View Recording pages. The recording still appears in the Edit recordings list. Next to the recording, the Publish recording button appears. When you click that button, all specified groups and users can view the recording. |
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You can enter a password to restrict streaming access to this recording and the ability to download content. The password will be visible in clear text to editors of this recording and to site managers. |
If a password is not entered, users who can view the recording in the View Recordings list can play the recording and download any available content. If a password is entered, users must know the password to stream or download the recording. |
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Groups and users can edit recording information and permissions, use the Content Editor (see ) to change the recording, add more outputs to a completed recordings using the Manage Outputs page, and delete the recording. Use Check access list to validate your entries. They are also checked when you click Place call . |
Enter all or part of the name or display name of the group or user (either one per line or separated by a semicolon).
– With Guest Access disabled : enter groups and users that have been added to Active Directory for the LDAP server configured for the Content Server. Otherwise, the entry will be removed when you click Check access list , Place call , or Save . – With Guest Access enabled : enter groups and users that have been added to Active Directory for the LDAP server configured for the Content Server. Otherwise, the entry will be removed when you click Check access list , Place call , or Save . If a creator adds a user or group to the access list that does not exist on the Content Server, a site administrator must add also that user or group to the Groups and Users . If only part of a group or username has been entered, clicking Check access list , Place call , or Save adds all matching groups and users to the list. Note After you click Check access lists, Place call, or Save, the users entered have the following formats:
All groups will be in the format group.name where the group name is expanded to the full LDAP name (for example, “CN=group.name, OU=staff, DC=company, DC=com”). |
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This option only appears on a Content Server that is configured with a Premium Resolution option key. |
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Check to make the finished recording available for playback on an endpoint. |
Users can view this finished recording by dialing a playback H.323 ID or E.164 alias from an endpoint. After the site manager creates the recording, the Content Server generates the playback ID or alias, which is available from the Edit recording link for the recording. The site manager can give users the playback E.164 alias or the playback H.323 ID and instruct them to dial the alias or ID from an endpoint. Doing so will play back the recording. |
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You can enter a numeric PIN to restrict access to this recording. |
Recording aliases are used to record calls. They contain all information about how a recording is created.
The Content Server ships with default Recording aliases:
The recording alias determines the following:
For more information, see Understanding Recording Aliases .
Recording information (such as the name, description, speaker, location, copyright and category), recording permissions, and outputs that are specified in the recording alias are automatically copied to a recording that is created using the recording alias. This information can be edited before the call is placed, during the call, or after the call has finished.
Only site managers can add new recording aliases. Site managers can see and edit all the properties of all recording aliases. They can also decide whether a recording alias is a system or personal recording alias. Creators who own a personal recording alias can only see and edit selected properties.
In the site manager role, you can display the recording aliases list by going to Recording setup > Recording aliases . From the list, you can the following:
Site managers can add and edit recording aliases.
Note For Content Servers that are registered to a H.323 gatekeeper as gateway, a personal recording alias can be automatically created for each user with creator privileges when the user logs in to the Content Server web interface (see Site Settings and Creating Automatic Personal Recording Aliases).
To add a new recording alias, do the following:
Step 1 Go to Recording setup > Recording aliases.
Step 2 Click Add recording alias .
Step 3 Enter settings in the configuration fields (see Table 1-5).
To edit settings for an existing recording alias, do the following:
Step 1 Go to Recording setup > Recording aliases .
Note Creators can display a list of their editable aliases from the My Recordings tab by clicking Create recording options.
Step 2 Click Edit for the alias that you want to edit.
Step 3 Edit settings in the configuration fields as needed (see Table 1-5).
Personal recording aliases can be used and edited by their owners. Owners of a personal recording alias cannot change the recording alias type, owner, dialing properties or call configuration. System recording aliases can be used by creators, but can only be edited by site managers. Recordings created with a system recording alias are automatically made available when the recording has finished. |
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For personal recording aliases, choose the owner from the drop-down list. The list displays users and groups whose role is either site manager or creator. |
The owner automatically becomes an editor of any recording created using the recording alias. The owner can also edit some properties of the recording alias. The owner of all system recording aliases is the local administrator. You cannot change the owner for system recording aliases. For information about roles, see Groups and Users . |
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The unique H.323 ID to be dialed to record when using this recording alias. |
The Content Server must be registered with a gatekeeper to use an H.323 ID (this field is displayed only if a gatekeeper is enabled in Site Settings ). If the Content Server is registered to the gatekeeper as a gateway, this H.323 ID must be prefixed by the H.323 gateway prefix that is specified in Site Settings when dialing. Because only site managers can see the site settings page, the prefix is displayed in this field before the H.323 ID so that the owners can see the complete string to dial. |
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The E.164 alias to be dialed when using this recording alias. |
The Content Server must be registered with a gatekeeper to use an E.164 alias (this field is displayed only if a gatekeeper is enabled in Site Settings ). If the Content Server is registered to the gatekeeper as a gateway, this E.164 alias must be prefixed by the E.164 gateway prefix that is specified in Site Settings when dialing. Because only site managers can see the Site settings page, the prefix is displayed in this field before the E.164 alias so that owners can see the complete string to dial. |
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The SIP address (URI) to be dialed when using this recording alias. |
The Content Server must be registered with a SIP registrar to use a SIP URI. This field is displayed only if a SIP registrar is enabled in Site Settings . |
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The SIP display name is presented as a description of the SIP URI to other systems. |
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Site managers can add or edit templates (click Add or Edit ). The recording alias owners cannot add or edit templates, but they can choose a different one to use from the drop-down list. |
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Choose the call configuration to use with this recording alias. |
Site managers can add or edit call configurations (click Add or Edit ). |
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Check the box to show a five-second countdown on the endpoint before recording starts. The countdown provides time for the speaker to prepare before recording begins. |
The recording alias owner can enable or disable the countdown. |
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Check the box to send an email containing a link to the recording after the recording is created. |
The box for this setting must be checked and an SMTP server must be configured in Configuration > Site Settings for an email to be sent. |
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The email address to which emails are sent if the Send email when recording finishes box is checked. |
You can test the email address by clicking the Send test email button. |
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The name of the recording to be displayed in the View Recordings pages. |
The default name is the type of recording ( OnDemand only or Live and OnDemand ) and a date/time stamp. You can edit this name to help users find the recording when they search. If you leave the name field blank, the default name is the name of the recording alias that you use to record. |
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Optional. This optional setting can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Optional. This optional setting can help users find the recording when they search. |
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Keywords that can be used to search for the recording. Keywords do not appear in the interface. |
Optional. This optional setting can help users find the recording when they search. |
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Category (see Categories for more information) |
Choose a category under which to list the recording in the View Recordings pages. |
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Groups and users who can view the recording. Click the Check access list button to validate your entries. Entries are also validated when you click the Save button. |
You can give viewing access to one of the following:
Note After you click Check access lists, Place call, or Save the users entered have the following formats: – Local authentication mode: MACHINENAME\user.name – Domain authentication mode: DOMAINNAME (optional)\user.name – LDAP authentication mode: user.name All groups will be in the format group.name where the group name is expanded to the full LDAP name (for example, “CN=group.name, OU=staff, DC=company, DC=com”). |
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If checked, the selected groups and users under Who can view this recording can view recordings. The groups and users in the editors list can always view and edit the recordings. |
This box is checked by default. When this box is unchecked, recordings do not appear in the View Recording pages. Recordings still appear in the Edit recordings list. Next to recordings, the Publish recording button appears. When you click that button, all specified groups and users can view the recording. |
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You can enter a password to restrict streaming access to this recording and the ability to download content. The password will be visible in clear text to editors of this recording and to site managers. |
If a password is not entered, users who can view the recording in the View Recordings list can play the recording and download any available content. If a password is entered, users must know the password to stream or download the recording. |
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Groups and users can edit recording information and permissions, use the Content Editor (see ) to change the recording, add more outputs to a completed recordings using the Manage Outputs page, and delete the recording. Use Check access list to validate your entries. They are also checked when you click Place call or Save . |
Enter all or part of the name or display name of the group or user (either one per line or separated by a semicolon).
– With Guest Access disabled : enter groups and users that have been added to Active Directory for the LDAP server configured for the Content Server. Otherwise, the entry will be removed when you click Check access list , Place call , or Save . – With Guest Access enabled : enter groups and users that have been added to Active Directory for the LDAP server configured for the Content Server. Otherwise, the entry will be removed when you click Check access list , Place call , or Save . If a creator adds a user or group to the access list that does not exist on the Content Server, a site administrator must add also that user or group to the Groups and Users . If only part of a group or username has been entered, clicking Check access list , Place call , or Save adds all matching groups and users to the list. Note After you click Check access lists, Place call, or Save, the users entered have the following formats:
All groups will be in the format group.name where the group name is expanded to the full LDAP name (for example, “CN=group.name, OU=staff, DC=company, DC=com”). |
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This option only appears on a Content Server that is configured with a Premium Resolution option key. |
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Check to make the recording available for playback on an endpoint. |
Users can view finished recordings made with this recording alias by dialing a playback H.323 ID or E.164 alias from an endpoint. After the recording has been created, the Content Server generates the playback ID or alias, which is available from the Edit recording link for the recording. The site manager or an editor can give users the playback E.164 alias or the playback H.323 ID and instruct them to dial the alias or ID from an endpoint. Doing so will play back the recording. |
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You can enter a numeric PIN to restrict access to all new recordings created with your personal recording alias. |
PINs must be four digits long. Tip To restrict access to a single recording, enter a PIN in the Play recording on endpoints section of the Edit recording page (see Edit Recording).
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You can assign your recordings to a category to make finding them easier in View Recordings.
Six categories come with the Content Server: Announcements, Education, General, Meetings, News, and Training. Each category must have a name and can have a description.
In the site manager role, you can display the categories list by going to Recording setup > Categories . From the categories list, you can the following:
Note In the View Recordings pages, guests (unauthenticated users) and users with the viewer or creator role who have logged in only see a category in the All categories section at the bottom of the page if there is a recording in that category that they have permission to see. The number of recordings in each category is displayed in parentheses. All categories are displayed for site managers.
Site managers can add and edit categories.
To add a new category, do the following:
Step 1 Go to Recording setup > Categories.
Step 3 Enter a Name and, if desired, a Description . Descriptions are optional and are displayed on the View Recordings page.
To edit settings for an existing category, do the following:
Step 1 Go to Recording setup > Categories .
Step 2 Click Edit for the category that you want to update.
Step 3 Update the Name , the Description , or both.
You can assign a template to a recording alias. Templates determine how a recording is streamed and played back:
The Content Server ships with several pre-defined templates in the templates list. Site managers can create new templates.
A template can be updated; modified and saved as a new template; or deleted if it not being used in a recording alias. If a template is used in a recording alias, its check box is dimmed so that you cannot delete it.
When deciding whether to edit an existing template to use as the basis for a new one or to start a completely new template, examine how close the settings you require are to those in an existing template.
In the site manager role, you can display the templates list by going to Recording setup > Templates . From the list, you can the following:
Note Edits that you make to templates are not used in current calls but only for new calls.
Site managers can add and edit templates.
To add a new recording alias, do the following:
Step 1 Go to Recording setup > Templates .
Step 3 Enter settings in the configuration fields (see Table 1-6 ).
To edit settings for an existing template, do the following:
Step 1 Go to Recording setup > Templates .
Step 2 Click Edit for the template that you want to edit.
Step 3 Edit settings in the configuration fields as needed (see Table 1-6 ).
Use a meaningful name to help users select a template for their personal recording alias. The name does not need to detail the outputs that the template creates because this information is displayed when users choose a template for a recording alias (see Recording Aliases ) and when users choose a recording alias to use when calling out to record. |
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If you check this box, go to the Outputs to view in the Content Server web interface to select output settings for a player. |
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If you check this box, go to the Outputs to download for portable devices to select output settings for a player. |
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If you check this box, go to the Outputs to download for general purpose to select output settings for a player. |
There is a limitation of 55 characters for UTF-8 (or 18 characters for UTF-16) for the length of the title of a recording when downloaded. We recommend using less than 55 characters in the title or renaming the downloaded recording. |
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Distributed to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U |
If you check this box, go to the Outputs for distribution to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U to select output settings for a player. |
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The main video and presentation streams are composited into a single video stream. These different layouts determine where the main video and the presentation are placed in the composited video:
– Force 16:9: an event-style presentation layout that focuses on the presentation stream while maintaining a reasonably sized main video stream within a guaranteed 16:9 aspect ratio layout.
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These formats can be viewed on a PC as long as the correct plugins have been downloaded and installed. MPEG-4 for QuickTime, MPEG-4 for Flash, and Windows Media (played using Silverlight) are available for Apple Mac when the correct plugins have been downloaded and installed. |
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Choose up to two recording sizes based on your user streaming environment and internet connection. |
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Displays the target bit rate for the small, medium and large output sizes. The number that is displayed depends on the target bit rates set in Site Settings and the call speed at which the recording was created. |
You can configure these bit rates in the Advanced streaming options section of Site Settings . |
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Choose the Media Server Configurations for on-demand viewing of the recordings that are created with this template. Formats not selected above are dimmed. |
The media servers configurations that are shown in the drop-down lists by default are those selected in the system defaults section of
Site Settings
. The Optimize for motion check box improves the quality of high-motion recordings. |
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Click to allow the recording to be streamed while it is in progress. |
Choose the Format and Size . Only one live stream is available per recording. The other formats and sizes that you chose above are transcoded after the recording has finished. Check Re-transcode realtime movies to have the live transcoded movies transcoded again after the recording has completed. Checking this option can result in better quality viewing but also creates an additional processing load on the Content Server. If Re-transcode realtime movies is not checked and play back of the recording on demand is not satisfactory, the live transcoded movies can be re-transcoded from the Summary section of the Manage Outputs page. For Live Media server configuration settings , choose the media server configuration to use for live streaming. If none are configured, you see this message: Your movie(s) will not be broadcast live until you have a live enabled Media server configuration set up. |
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The main video and presentation streams are composited into a single video file. These different layouts determine where the main video and the presentation are placed in the composited video: |
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Select portable device(s) and whether you want audio and video or audio only: |
After the Content Server transcodes the recording, these outputs are available for download from the View Recordings page. Click the Download tab for the recording. Then click the output file that you want to download for synchronization with your portable device. iPod formats are optimized for fifth-generation Apple iPod (and compatible) devices. Zune formats are optimized for first-generation Microsoft Zune (and compatible) devices. |
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The main video and presentation streams are composited into a single video file. These different layouts determine where the main video and the presentation are placed in the composited video:
– Force 16:9: an event-style presentation layout that focuses on the presentation stream while maintaining a reasonably sized main video stream within a guaranteed 16:9 aspect ratio layout.
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Because these outputs are downloaded and viewed on a computer, the quality of the Internet connection is not an issue, except as the connection affects the time it takes to download. After downloading, users can watch the recordings without being connected to the Internet. Note If the download time exceeds 20 minutes, the download will fail. |
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Outputs for distribution to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U When you use this option, recordings from the Content Server can be automatically uploaded to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U. Users then view recordings from the web interface of those products, not from the Content Server web interface. With this option, the Content Server is a recording device; users interact with the recording (view and edit) in the web portal of the other system. If a recording on a Content Server has no other outputs except ones distributed to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U, there is nothing for users to view on the Content Server itself. |
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The main video and presentation streams are composited into a single video file. These different layouts determine where the main video and the presentation are placed in the composited video:
– Force 16:9: an event-style presentation layout that focuses on the presentation stream while maintaining a reasonably sized main video stream within a guaranteed 16:9 aspect ratio layout.
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Select this option and a media server configuration (see Media Server Configurations ) for Media Experience Engine 3500 to automate the process of uploading recorded content to your Media Experience Engine 3500 server. |
The size of the output for Media Experience Engine 3500 is always large and always MPEG-4 format. |
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Select this option and a media server configuration (see Media Server Configurations ) for Show and Share to automate the process of uploading recorded content to your Show and Share server. |
Choose the size ( Small , Medium or Large ) of the output to upload to Show and Share. |
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Select this option and a media server configuration (see Media Server Configurations ) for Podcast Producer to automate the process of uploading recorded content to your Podcast Producer server. |
The size of the output for Podcast Producer is always large. |
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Select this option and a media server configuration (see Media Server Configurations ) for iTunes U to automate the process of uploading recorded content to an iTunes U account. |
Choose the size ( Small , Medium or Large ) of the output to upload to iTunes U. You can also specify an additional audio-only output. |
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Displays information about the outputs created for viewing in the Content Server web interface. This summary includes information about on-demand and live streaming settings for the template. |
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Displays information about the outputs created for Portable Devices. |
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Displays information about the outputs created for download to users' computers. |
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Outputs for distribution to Media Experience Engine 3500, Show and Share, Podcast Producer or iTunes U |
Displays information about the outputs created for use with Media Experience Engine 3500, Show and Share, Podcast Producer, or iTunes U. |
Media server configurations tell the Content Server where the media for a recording is stored and how it is streamed. Media server configurations can also be used to automate the following processes:
Streaming is specified by preconfigured media server configuration that cannot be deleted:
Note • No on-box streaming server for TCS 7.0 as Windows Server 2012 doesn’t support Windows Media Streaming server.
See Table 1-7 for the supported Content Server local media server streaming configurations.
Site managers set up the streaming server, and then add a Media server configuration to the Content Server that specifies how the media is streamed. The Media server configurations can then be selected in a template (see Templates ) or when creating outputs by using the Manage Outputs page. If the Media server configuration is used often, it can be set as a default in Configuration > Site settings so that it will appear at the top of media server configurations lists in the Recording setup > Templates and Manage outputs pages.
To display the list of media server configurations, go to Recording setup > Media server configurations . From the list, site managers can do the following:
Adding or Editing Media Server Configurations
To create a new media server configuration, do the following:
Step 1 Go to Recording setup > Media server configurations .
Step 2 Click the link for the type of server that you want to add.
Step 3 Enter settings in the configuration fields.
Alternatively, you can go to Recording setup > Media server configurations . Click Edit for the media server configuration that is to be the basis of the new one. Update the fields as required using the table in the appropriate section below and click Save as .
To edit settings for an existing media server configuration, do the following:
Step 1 Go to Recording setup > Media server configurations .
Step 2 Click Edit for the configuration that you want to edit.
Step 3 Edit settings in the configuration fields as needed.
Note If you have existing recordings that use a media server configuration and you edit that media server configuration, you can also update the streaming URLs for the outputs that are viewable in the Content Server web interface. For example, if the server address of an external streaming server has changed, update the address in the media server configuration. Recordings that use that Media server configuration will still be playable.
For more information about configuring external media servers, see the Configuring Media Servers with Cisco TelePresence Content Server documents on Cisco.com:
http://www.cisco.com/c/en/us/support/conferencing/telepresence-content-server/products-installation-and-configuration-guides-list.html
Only Windows Media streaming servers are supported for streaming Windows Media content.
Saving the media server configuration checks that the server is available at the specified server address and displays the server type if that information is available.
You can configure the Content Server to use an external Windows Media server to provide live and/or on-demand streams with these limitations:
To configure a Windows Media streaming server, do the following:
Step 1 Go to Recording setup > Media server configurations .
Step 2 Click Add Windows Media streaming server configuration .
Step 3 Under Server settings, check the Support live unicast streaming or the Support on demand box. When you check a box, configuration settings appear. Enter settings in the fields (see Table 1-8).
The name is used in the template (see Templates ) and Manage Outputs pages when you select a media server configuration. |
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If checked, enter the server address . Unicast connections are one-to-one connections between each client and the server. Each unicast client that connects to the server takes up additional bandwidth. |
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The HTTP port of the streaming server. If you are using the Content Server’s Windows Media streaming server, the port is 8080. |
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Click to have the Content Server create a new publishing point on the streaming server. |
A publishing point is the way that media are distributed from the Windows Media streaming server. |
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Click to have the Content Server create a new publishing point on the streaming server by using the settings from an existing publishing point. |
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Click to use an existing publishing point on the streaming server. |
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Click to have the streaming server request the stream from the Content Server. A network publishing point must be created on the Window Media streaming server to use this functionality. |
The ports used by the Content Server are listed in Port Information . |
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Click to use the live URL that is generated by the Content Server. |
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Click to supply your own URL for live streaming. Choose whether you want the filename (in this case, the publishing point name) to be appended to the alternate URL. |
Enter an alternate URL if you have selected network pull. You might also want to use an alternate URL in other situations. |
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Click to have media written to the Content Server’s default media location. This location is either the E drive of the Content Server or an alternate storage location if you have a NAS configured. |
Do not select this option if you are streaming from an external streaming server. You can verify the default media storage location in the Server Overview. The default media location for Windows Media files is (media location)\data\media. |
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Click to write media to an external streaming server that uses a shared drive or UNC path. |
Select this option if the streaming server is on an external server with a shared drive that is accessible to the Content Server. Enter the shared drive or UNC path (for example, \\servername\shared) in the Alternate path field. |
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Click to use FTP to transfer media files to an external streaming server. |
Select this option if the streaming server is on, or can access a shared drive on, an external server that is running an FTP service. If you select this option, complete the other fields in this section. Then check the FTP upload functionality by clicking Test FTP. FTP upload is also tested every time you save the media server configuration. |
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The port number of the FTP service. Most FTP servers use port 21. |
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The directory relative to the root FTP directory on the FTP server. The directory should be specified using forward slashes (for example, /movies/). |
If left blank, files are uploaded to the root FTP directory. |
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Click to use on-demand URLs that are generated by the Content Server. |
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Click to supply your own URLs for on-demand streaming (if your on-demand URLs require different paths or filenames from those that the Content Server generates). Enter the URLs for the Main and Dual video streams and select if you want the filename to be appended to the alternate URLs. |
The Content Server default installation supports only HTTP-based on-demand streaming of MPEG-4 for QuickTime from its local IIS web server and live multicast MPEG-4 for QuickTime directly onto the network. An external QuickTime or Darwin streaming server must be set up for live unicast and true (RTSP) on-demand streaming of MPEG-4 for QuickTime. Only QuickTime and Darwin streaming servers are supported for live unicast and on-demand streaming.
Saving the media server configuration checks that the server is available at the specified server address and displays the server type if that information is available. Unicast live streaming from QuickTime or Darwin servers (RTSP announce) is also tested when you save the media server configuration.
You can set up a media server configuration for a QuickTime or Darwin streaming server to do live streaming, on-demand streaming, or both. You have two options for configuring the media server for live MPEG-4 for QuickTime streaming:
To configure a Quicktime or Darwin streaming server, do the following:
Step 1 Go to Recording setup > Media server configurations .
Step 2 Click Add Quicktime or Darwin streaming server configuration .
Step 3 Under Server settings, check the Support live unicast streaming , the Support live multicast streaming , or the Support on demand box. When you check a box, configuration settings appear. Enter settings in the fields (see Table 1-9).
The name is used in the template (see Templates ) and Manage Outputs pages when you select a media server configuration. |
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If checked, enter the server address . Unicast connections are one-to-one connections between each client and the server. Each unicast client that connects to the server takes up additional bandwidth. |
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In multicast delivery, the server sends only one stream which reaches all player clients simultaneously. There is no additional overhead for the server regardless of whether one or more clients are connected. Multicast delivery is generally used for broadcasting live streams on a corporate network and only works if all routers on the network are multicast enabled. |
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The port number for the start of the streaming port range (for example, 30000). The start port must be an even number. The Content Server uses the streaming start port plus 30 for streaming live calls (for example, from 30000 to 30030). Ensure that you select ports that are not being used by the Content Server. |
The ports that the Content Server uses are listed in Port Information . |
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Click to use a live URL that is generated by the Content Server. |
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Click to supply your own URL for live streaming. Choose whether you want the filename (in this case, the sdp filename) to be appended to the alternate URL. |
The Content Server automatically generates a Session Description Protocol (sdp) file. The QuickTime or Darwin streaming server uses this file to know how to stream the media. |
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The destination multicast IP address that the Content Server streams to. Your chosen multicast IP address must not conflict with any other multicast address in use in your network. Further considerations apply if you want to multicast over the public Internet. Contact your network administrator for more information. |
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The first port number in the live streaming port range. The setting is between 10000 and 65000. This port number must be even. |
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This value tells the network how far multicast packets should be allowed to travel across the network. The default threshold is LAN (TTL=32). The value “Subnet” (TTL=1) means that packets do not pass the first network router and should mean a multicast stream is viewable on any network, even those not enabled for multicast, where the client is on the same subnet as the Content Server. The efficacy of higher values—LAN (TTL=32), WAN (64), Internet (128), Unrestricted (255)—depends on the network configuration. |
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Click to have media written to the Content Server’s default media location. This location is either the E drive of the Content Server or an alternate storage location if you have a NAS configured. |
Do not select this option if you are streaming from an external streaming server. You can verify the default media storage location in the Server Overview . The default media location for MPEG-4 for QuickTime files is (media location)\data\www. |
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Click to write media to an external streaming server that uses a shared drive or UNC path. |
Select this option if the streaming server is on an external server with a shared drive that is accessible to the Content Server. Enter the shared drive or UNC path (for example, \\servername\shared) in the Alternate path field. |
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Click to use FTP to transfer media files to an external streaming server after the recording session has ended. |
Select this option if the streaming server is on, or can access a shared drive on, an external server that is running an FTP service. If you select this option, complete the other fields in this section. Then check the FTP upload functionality by clicking Test FTP. FTP upload is also tested every time you save the media server configuration. |
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The port number of the FTP service. Most FTP servers use port 21. |
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The directory relative to the root FTP directory on the FTP server. The directory should be specified using forward slashes (for example, /movies/). |
If left blank, files are uploaded to the root FTP directory. |
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Click to use on-demand URLs that are generated by the Content Server. |
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Click to supply your own URLs for on-demand streaming (if your on-demand URLs require different paths or filenames from those that the Content Server generates). Enter the URLs for the Main and Dual video streams and select if you want the filename to be appended to the alternate URLs. |
The Content Server default installation supports the playing of MPEG-4 for Flash media on demand—only via HTTP progressive download from the built-in IIS web server. An external media server must be set up for live unicast and true (RTMP) on-demand streaming of MPEG-4 for Flash.
Saving the media server configuration checks that the server is available at the specified server address and displays the server type if that information is available. Unicast live streaming from the Wowza Media Server for Flash (RTSP announce) is also tested when you save the media server configuration.
You can set up a media server configuration for a Wowza Media Server for Flash to do live streaming, on-demand streaming, or both.
To configure a Wowza Media Server for Flash, do the following:
Step 1 Go to Recording setup > Media server configurations .
Step 2 Click Add Wowza Media Server for Flash configuration .
Step 3 Under Server settings, check the Support live unicast streaming or the Support on demand . When you check a box, configuration settings appear. Enter settings in the fields (see Table 1-10).
The name is used in the template (see Templates ) and Manage Outputs pages when you select a media server configuration. |
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Unicast connections are one-to-one connections between each client and the server. Each unicast client that connects to the server takes up additional bandwidth. |
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The port number for the start of the streaming port range (for example, 30000). The start port must be an even number. The Content Server uses the streaming start port plus 30 for streaming live calls (for example, from 30000 to 30030). Ensure that you select ports that are not being used by the Content Server. |
The ports that the Content Server uses are listed in Port Information . |
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Click to use the live URL that is generated by the Content Server. |
If you select this option, enter a directory in Application directory . |
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The name of the directory that was created in applications on the Wowza Media Server to stream live. This directory is used in the default live URL. |
If you followed Cisco recommendations when you set up the Wowza Media Server, this directory is called “live.” |
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If you want to publish a live URL before streaming begins, use this option. |
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A static URL is constructed from the media server address, application directory, and static stream name (required). |
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Click to supply your own URL for live streaming. Choose whether you want the filename to be appended to the alternate URL. |
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Click to have media written to the Content Server’s default media location. This location is either the E drive of the Content Server or an alternate storage location if you have a NAS configured. |
Do not select this option if you are streaming from an external streaming server. You can verify the default media storage location in the Server Overview . The default media location for MPEG-4 for Flash files is (media location)\data\www |
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Click to write media to an external streaming server that uses a shared drive or UNC path. |
Select this option if the streaming server is on an external server with a shared drive that is accessible to the Content Server. Enter the shared drive or UNC path (for example, \\servername\shared) in the Alternate path field. |
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Click to use FTP to transfer media files to an external streaming server after the recording session has ended. |
Select this option if the streaming server is on, or can access a shared drive on, an external server that is running an FTP service. If you select this option, complete the other fields in this section. Then check the FTP upload functionality by clicking Test FTP. FTP upload is also tested every time you save the media server configuration. |
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The port number of the FTP service. Most FTP servers use port 21. |
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The directory relative to the root FTP directory on the FTP server. The directory should be specified using forward slashes (for example, /movies/). |
If left blank, files are uploaded to the root FTP directory. |
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Click to use on-demand URLs that are generated by the Content Server. |
If you select this option, enter a directory in Application directory . |
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The name of the directory that was created in applications on the Wowza Media Server to stream on demand. This directory is used in the default on-demand URL. |
If you followed Cisco recommendations when you set up the Wowza Media Server, this directory is called “vod.” |
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Click to supply your own URLs for on-demand streaming (if your on-demand URLs require different paths or filenames from those that the Content Server generates. Enter the URLs for the Main and Dual video streams and select if you want the filename to be appended to the alternate URLs. |
Cisco TelePresence Content Server Release 7.x does not support Cisco Video Streamer media server configuration capabilities. Although these capabilities are visible on the Content Server User Interface, the underlying infrastructure is currently unsupported.
The Content Server default installation supports only FTP upload to Cisco Media Experience Engine 3500 server.
Saving the media server configuration checks that the server is available at the specified server address and displays the server type if that information is available.
For step-by-step instructions to configure the Media Experience Engine 3500 integration, see the
Integration Note for Configuring Cisco MXE 3500 with Cisco TelePresence Content Server
at
http://www.cisco.com/en/US/products/ps12130/
products_installation_and_configuration_guides_list.html.
To configure a Media Experience Engine 3500 server, do the following:
Step 1 Go to Recording setup > Media server configurations .
Step 2 Click Add Media Experience Engine 3500 server configuration .
Step 3 Enter settings in the fields (see ).
Table 1-11 Recording Setup > Media Experience Engine 3500 Server Configuration
The name is used in the template (see Templates ) and Manage Outputs pages when you select a media server configuration. |
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Check the FTP upload functionality by clicking Test FTP. FTP upload is also tested every time you save the media server configuration. |
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The user name to authenticate to the Media Experience Engine 3500 server. |
The user name must belong to an account with administrative rights on the Media Experience Engine 3500 server. |
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The password to authenticate to the Media Experience Engine 3500 server. |
The password must belong to an account with administrative rights on the Media Experience Engine 3500 server. Click Get profiles to connect to the Media Experience Engine 3500 server and display a list of available profile spaces and job profiles. |
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Choose a profile space from the drop-down list. The profile space defines the set of available profiles on the Media Experience Engine 3500 server. |
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Choose a profile name from the drop-down list. The profile defines the set of encoding and publishing tasks for Media Experience Engine 3500 server to perform. |
For step-by-step instructions to configure the Content Server and Show and Share integration, see the Cisco TelePresence Content Server and Show and Share Integration Guide at
http://www.cisco.com/en/US/products/ps11347/
products_installation_and_configuration_guides_list.html.
To configure a Cisco Show and Share server, do the following:
Step 1 Go to Recording setup > Media server configurations .
Step 2 Click Add Show and Share server configuration .
Step 3 Enter settings in the fields (see Table 1-12).
The username of an account which will be used for authenticating media uploads to the Cisco Show and Share server. |
The account must belong to a superuser or a user with publishing rights on the Show and Share server. See the Cisco TelePresence Content Server and Show and Share Integration Guide for details. |
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The password of an account which will be used for authenticating media uploads to the Cisco Show and Share server. |
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Check to automatically publish recordings that are uploaded to the Show and Share server. |
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Click this button to get a list of categories from the Show and Share server using this server address, user name, and password. |
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Choose the Show and Share category. Recordings that are uploaded to Show and Share are published to this category on the Show and Share server. |
Podcast Producer is a third-party product provided by Apple. For setup and support information, go to
http://www.apple.com/support/macosxserver/podcastproducer/ .
To configure a Podcast Producer server, do the following:
Step 1 Go to Recording setup > Media server configurations .
Step 2 Click Add Podcast Producer server configuration .
Step 3 Enter settings in the fields (see Table 1-13).
The name is used in the template (see Templates ) and Manage Outputs pages when you select a media server configuration. |
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The username to authenticate to the Podcast Producer server. |
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The password to authenticate to the Podcast Producer server. |
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Click to connect to the Podcast Producer server and display a list of available workflows. |
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Choose a workflow name from the drop-down list. The workflow defines the set of encoding and publishing tasks for Podcast Producer to perform. |
iTunes U is a third-party product provided by Apple. For setup and support information, go to
http://www.apple.com/support/itunes_u/
To configure an iTunes U server, do the following:
Step 1 Go to Recording setup > Media server configurations .
Step 2 Click Add iTunes U server configuration .
Step 3 Enter settings in the fields (see Table 1-14).
The name is used in the template (see Templates ) and Manage Outputs pages when you select a media server configuration. |
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The site URL that Apple provides. The URL identifies this iTunes U account. |
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Enter and confirm the shared secret that Apple provides for this iTunes U account. |
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The credentials string that Apple provides. The credentials specify administrator access permissions. |
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The actual name of the account that is used to upload content to iTunes U. |
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The username of the account that is used to upload content to iTunes U. |
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The email address of the account that is used to upload content to iTunes U. |
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The user identifier for the account that is used to upload content to iTunes U. |
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The iTunes U upload location (for example, 1234567890.01498307570). |
This ID is the suffix of the URL found by dragging a tab within iTunes while browsing your iTunes U account. |
You can configure a call configuration to be used by recording aliases. A call configuration determines the following:
Displaying the Call Configurations List
To display the call configurations list, go to Recording setup > Call configurations . The Content Server is delivered with a default call configuration for the system. This call configuration is used in the pre-installed Recording Aliases —Default OnDemand Only and Default Live and OnDemand.
From Recording setup > Call configurations , site managers can do the following:
Note You cannot delete a call configuration that is used by a recording alias. Its check box is dimmed.
Site managers can add and edit call configurations.
To add a new call configuration, do the following:
Step 1 Go to Recording setup > Call configurations .
Step 2 Click Add Call configuration .
Step 3 Enter settings in the configuration fields (see Table 1-15).
Note You can also create a new call configuration by using an existing one. Modify the settings of an existing call configuration, and click Save as. Give the call configuration a new name, and then click Save.
To edit an existing call configuration, do the following:
Step 1 Go to Recording setup > Call configurations .
Step 2 Click Edit next to the call configuration that you want to modify.
Step 3 Edit settings in the configuration fields as needed (see Table 1-15).
A meaningful name or description helps site managers to select the correct call configuration when creating or editing Recording Aliases . |
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Dual video capabilities are enabled by default. If dual video is not required, this capability can be disabled. |
Dual video is used so that everyone in a call can see what is displayed on a computer (such as a PowerPoint presentation), as well as seeing the main video (other participants). Dual video is also known as “extended video,” a “content channel,” H.239 capabilities when using H.323, or BFCP capabilities when using SIP. |
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Check this box to globally enable content channel sharpness. |
You can use the Sharpness enabled check box to set the content channel video for high resolution endpoint playback by reducing the frame rate of the content channel. Although the Sharpness check box is visible in user-created call configurations, it does not enable the feature. It is used only for the default System Call Configuration settings. |
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Check the boxes next to the call speeds to be supported in this call configuration. |
This setting determines available call bandwidths when dialing out to create a recording when using a recording alias (see Recording Aliases) with this call configuration. |
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Recording calls that use this call configuration are terminated after the specified number of minutes have elapsed. |
The default setting is 0 (zero), which means that the Content Server will not automatically end the call. Zero is also the default value for new call configurations. |
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Check this box to allow calls that use this call configuration to be encrypted. |
The Content Server negotiates the level of encryption with the endpoint. The solution supports media encryption only for the H.323 protocol. |
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Check the boxes next to the video codecs to be advertised for calls that use this call configuration. |
You cannot uncheck H.261. The check box is dimmed, due to standards compliance. |
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Check the boxes next to the audio codecs to be advertised for calls that use this call configuration. |
You cannot uncheck G.711, due to standards compliance. The check box is dimmed |
Site settings must be configured before using the Content Server. To configure these settings, go to Configuration > Site settings .
Most settings in the site settings page can be applied while the Content Server is in a call without affecting current calls. However, if you change settings that requires all calls to have ended before the settings can take effect, the Content Server automatically enters configuration reload mode and will not accept new incoming calls or make outgoing calls. When the call or calls currently in progress are completed, the new settings are applied and the Content Server is then able to receive and make calls.
In configuration reload mode, the following occurs:
Site managers can override configuration reload mode and apply changes immediately by clicking End all calls on the Configuration > Site settings page. Clicking this button terminate calls on the Content Server and applies the new settings.
The settings that trigger configuration reload mode are the following:
Note The site settings page automatically refreshes every 10 seconds.
The system name is used in the Cisco TelePresence Management Suite to identify Content Servers. The system name can also be displayed in the browser title bar when using the web interface. If the Content Server is in a cluster, its system name is not set here but in the Diagnostics > Server overview page. |
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The cluster name can only be set when the Content Server is in a cluster. Used in the Cisco TelePresence Management Suite to identify the cluster. The cluster name can also be displayed in the browser title bar when using the web interface. |
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Click the box to display the system name or cluster name in the browser title bar. The name can be used to brand or identify the Content Server or cluster when using the web interface. |
Refresh the page to show changes to the browser title. For a cluster, if you go to the web interface via the frontend address, then the cluster name is shown in the title bar. Otherwise, the browser displays the system name of the Content Server. |
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This name is the text that is displayed in the heading of the Content Server website. Enter a meaningful name to brand or identify the website. |
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The IP address or DNS name of the Content Server. Clicking Save checks the address. Changes to this page are not saved if a connection cannot be made to the specified address or if the address does not belong to this Content Server. |
If specified, this address is used for the Share link displayed on the View Recordings page and the recording URL displayed on the Edit Recordings page. Otherwise, links to recordings use the address that you typed in the browser URL to log in to the Content Server. |
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Displays the status of Content Server registration with the gatekeeper (registered or not registered). |
Click S to display a page that shows all the system and recording alias registration details. |
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Enter the Gatekeeper address, an H.323 ID, and/or an E.164 alias and choose the registration mode. The gatekeeper must be enabled for a cluster. You cannot disable the gatekeeper functionality. |
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Manual gatekeeper discovery means that the Content Server registers with one specific gatekeeper, identified by its IP address or fully qualified domain name. |
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Other systems can call the Content Server using the H.323 ID if the Content Server is registered to the gatekeeper. |
If the Content Server is in a cluster, its H.323 ID is not set here but in the Server Overview page. |
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Other systems can call the Content Server using the E.164 alias if the Content Server is registered to the gatekeeper. |
If the Content Server is in a cluster, its E.164 alias is not set here but in the Server Overview page. |
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Choose to register the Content Server as a Terminal or as a Gateway. |
If you select Gateway, enter the H.323 gateway prefix and the E.164 gateway prefix. Gateway registration mode is required for:
When registered as a terminal, the maximum number of registrations allowed to the gatekeeper from a Content Server is 25, meaning that the maximum number of recording aliases is 25. When registered as a gateway, there is no maximum. |
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If registered as a gateway, this prefix must be entered before the H.323 ID of a Recording alias when calling the Content Server. |
For a cluster, enter non-live and live H.323 and E.164 gateway prefixes. The prefixes you enter cannot be subsets of each other. Ensure that they are unique and that they follow the dialing plan set up on your VCS. The non-live gateway prefix is used for recording aliases with no live streaming outputs. The live gateway prefix is used for recording aliases with live streaming outputs. |
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If registered as a gateway, this prefix must be entered before the E.164 alias of a recording alias when calling the Content Server. |
For a cluster, enter non-live and live H.323 and E.164 gateway prefixes. The prefixes you enter cannot be subsets of each other. Ensure that they are unique and that they follow the dialing plan set up on your VCS. The non-live gateway prefix is used for recording aliases with no live streaming outputs. The live gateway prefix is used for recording aliases with live streaming outputs. |
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When registered as a gateway, enter either the playback H.323 gateway prefix or playback E.164 gateway prefix to enable recordings to be played on endpoints. This prefix is added to a recording’s playback address to make the playback H.323 ID that the user dials to play the recording on the endpoint. |
Ensure that the prefix that you enter is unique, not a subset of another prefix, and that the prefix follows the dialing plan that is set up on your VCS. The playback prefix field is displayed only if the Content Server or the Content Server cluster has the Premium Resolution option key installed. This option is available when the premium resolution key is installed. |
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When registered as a gateway, enter either the playback H.323 gateway prefix or playback E.164 gateway prefix to enable recordings to be played on endpoints. This prefix is added to a recording’s playback address to make the playback E.164 alias that the user dials to play the recording on the endpoint. |
Ensure that the prefix that you enter is unique, not a subset of another prefix, and that the prefix follows the dialing plan that is set up on your VCS. The playback prefix field is displayed only if the Content Server or the Content Server cluster has the Premium Resolution option key installed. |
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If the gatekeeper requires systems to authenticate with it before they are allowed to register, select Auto and supply the username and password to be used by the Content Server. |
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Disabled by default (the box is unchecked). When this setting is disabled, the ports to use are allocated dynamically when opening a TCP/UDP connection. |
Static ports can be enabled by clicking the check box and specifying the required port range. Specifying static ports might be necessary if the Content Server is to make calls through a firewall. |
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The standard firewall port range is 3230 to 3270. Choose the range that is appropriate to your local firewall settings. |
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Network Address Translation (NAT) is used when the Content Server is connected to a router with NAT support. The default setting is Off . |
If set to On , the Content Server uses the specified NAT address in place of its own IP address within Q.931 and H.245. If set to Auto , the Content Server tries to determine whether the NAT address or the real IP address should be used. This setting makes it possible to call endpoints on both sides of the NAT router. |
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In the router, the following ports must be routed to the system IP address: |
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Displays the status of Content Server registration with the SIP registrar. |
Click View all SIP registrations to display a page showing all the system and recording alias registration details. Note If you select Terminal in Registration field, status will be Registered (3 of 3 aliases registered). Note If you select Trunk in Registration field, status will be Trunk Active. This option is available for Content Server users having CUCM call manager. If the trunk between Content Server & CUCM is not active or unreachable, status will be Trunk In-Active. |
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Select to enable registration with a SIP registrar. SIP is not available for a cluster. |
Enter the SIP display name, SIP address (URI), server address and choose the Transport method from the drop-down list. |
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This display name is presented as a description of the SIP URI by the SIP registrar to other systems. |
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Other systems can call the Content Server using the SIP Address or URI (Uniform Resource Identifier) if the Content Server is registered to a SIP registrar. |
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Select to register the Content Server in terminal or trunk mode. |
This displays detailed information about the Content Server registration mode. There are two modes of registration: Note When using the CUCM call manager, you can only use the trunk option to configure the Content Server. Note Content Server with CUCM call manager will not support TMS scheduling because Cisco TelePresence Management Suite (TMS) does not support SIP call scheduling, You cannot configure the Content Server with CUCM call manager to schedule calls. |
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Select the time interval to send the option message to CUCM. |
Enter the time interval to send the option message to CUCM. Choose the time interval from the drop-down list. Note The option message verifies that the trunk between the Content Server and its peer node is active. |
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This displays the domain suffix route address. Note This option is available when the premium resolution key is installed. |
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When changing the address of the SIP registrar, you need to change the server address in all SIP URIs of recording aliases (for example, from SIPalias@SIP.registrar.1 to SIPalias@SIP.registrar.2).v |
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Always Auto , which supports registering to standard SIP registrars, such as OpenSIPS. |
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The transport protocol for SIP. The default is TCP (Transmission Control Protocol). UDP (User Datagram Protocol) can also be used. |
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Choose the authentication method for the Content Server. If you select either Domain or LDAP authentication, expand the LDAP server section and enter the details of a Microsoft Active Directory server. To enter details for more than one LDAP server, click Add LDAP server . Currently, only Microsoft Active Directory Server is supported. Clicking Save checks the LDAP server settings because the Content Server attempts to bind to the LDAP server. Changes to this page are not saved if the LDAP server settings are incorrect. |
There are three modes of authentication (for more information, see Groups and Users ):
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You can add up to five servers that the Content Server will use to look up to authenticate users. |
Only active if you have selected Domain or LDAP as the authentication mode. |
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Only Microsoft Active Directory Server is currently supported. |
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Port 389 is the default port for most domain controllers. Global catalog servers may use port 389 or 3268. |
Note Content Server supports port 389 and 3268 for LDAP communication. |
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The search base that the Content Server uses to search for user records. (DN = Distinguished Name) |
The Content Server searches the object specified and any objects beneath it. The base DN is a unique name for this container. It typically consists of OU, CN, and DC components. In this example, OU marketing is contained within the OU employees. OU=employees,DC=company,DC=com identifies all employees, including the marketing department and OU=marketing,OU=employees,DC=company, DC=com identifies users from the marketing department only. |
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The LDAP identifier of the account in your domain that the Content Server uses to identify who is trying to log in. The User DN (distinguished name) is a unique name for this account comprising:
CN=user_account,OU= |
This account must have read membership privileges—that is, privileges to retrieve users’ “memberOf” attributes from Active Directory using LDAP. You can use an existing account or create a new special account with those privileges. This account does not need to be inside the search tree specified in the Base DN. |
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Click this box to enable unauthenticated access to the Content Server as a guest user (guest users do not have to log in). |
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Automatically create personal recording aliases for creators |
Click this box to create a personal recording alias for each user with creator privileges when the user logs in to the Content Server. |
It can be enabled for Content Servers that are registered to an H.323 gatekeeper as a gateway or CUCM as SIP trunk and it requires the API to be enabled. If you have a Content Server cluster, see the “Important Guidelines” section about recording aliases and adding or removing live output from a template. See the “Creating Automatic Personal Recording Aliases” section for more information about configuring an automatic recording alias. Personal recording aliases can also be created in a bulk operation using the AddRecordingAlias function in the Content Server’s API. See the Cisco TelePresence Content Server API Guide for details. |
Select the system recording alias to use for all newly created recording aliases. |
All settings for the selected system recording alias settings will be copied except name, owner, H.323 ID, E.164 alias, SIP URI, SIP display name and email address. The name will be the user display name and user name, for example John Smith (jsmith). The H.323 alias will consist of the H.323 gateway prefix with the username appended, for example record.jsmith. The E.164 alias will consist of the E.164 gateway prefix with a random six digit number appended. SIP URI and SIP display name fields will be blank. |
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This displays the domain suffix route address. SIP URI suffix will be used to assign SIP uri while creating automatic personal recording alias for creators Note To route the calls, a trunk between Content Server and CUCM with the same route pattern should exist. |
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The personal recording aliases will use the creator’s user name with the email address suffix appended at the end to create the email address. |
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Click this box to send an email when a recording finishes. The other settings in this section must be configured to have emails sent successfully. Clicking Save checks the email SMTP settings. A warning is displayed if a connection to the SMTP server fails. Changes to the page are still saved, even if the email settings are incorrect. |
The email is sent to the address specified in the recording alias (see Recording Aliases ) that was used to make the recording. The email contains a link to find the recording in the recordings page. |
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Enter a username if the SMTP server requires authentication. |
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Enter a password if the SMTP server requires authentication. |
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The default language to use in the interface display for users who have not chosen their own language. |
When users choose another language option, their choice (not the default language) is applied every time that they log in. |
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Click this link to upload a language pack to the Content Server. The language or languages that the pack contains are then available in the web interface after successful upload. |
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The Content Server includes an Application Programmer Interface (API) that is designed to provide mechanisms for external systems and services to get information from and to add information to the Content Server. The API must be enabled for a cluster. |
The API is designed for integration with the Cisco TelePresence Management Suite (TMS) but can also be used with other management systems. The API is enabled by default and must stay enabled in the following cases:
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The default API password is the serial number of the Content Server (49A3 xxxx ). Cisco strongly recommends that you change this password if you want the API to remain enabled. If you clear the password and the password field remains empty, API clients will not receive an authentication challenge. To change the API password, go to Management > Configuration > Site settings . In the API section, enter a new password in the Password and Password confirm fields. Click Save . |
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If the system H.323 ID, E.164 alias, SIP URI, or Content Server IP address is called from an endpoint, the recording alias that you choose is used for recording or streaming and recording the call. |
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Specify which Media server configuration is shown by default in the Media server configurations lists when adding or editing a template or in the Manage outputs page of a recording. |
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The preconfigured media server configuration— Windows Media Server Configuration Local IIS Web Server—is used by default. |
A media server configuration for an external Windows Media Streaming Server can be added and then chosen here |
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By default, it is not possible to stream MPEG-4 for QuickTime live from the Content Server. The preconfigured media server configuration— Local IIS Web Server—is used by default. This server delivers MPEG-4 for QuickTime as a progressive download (HTTP streaming). |
A media server configuration for an external Darwin or QuickTime streaming server can be added and then chosen here. |
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The preconfigured media server configuration— Local IIS Web Server—is used by default. |
A media server configuration for a Wowza streaming server can be added and then chosen here. By default, it is not possible to stream MPEG-4 for Flash live from the Content Server. |
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Choose the maximum output bit rates for each output size. These changes affect the bit rates of outputs created by the Templates and Manage outputs pages. |
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The target bit rate for small outputs in the range 150–512 kbps. 250 is the default. |
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The target bit rate for Medium outputs in the range 512-1152 kbps. 800 is the default. |
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To display detailed information about gatekeeper registrations, in the Management tab, go to Configuration > Site Settings . Click View all gatekeeper registrations . The page that appears is a status page. User cannot edit any fields. The following information is displayed:
The IP address or DNS name of the H.323 gatekeeper that the Content Server is currently registered to |
A green check mark displays that the content server is registered to a gatekeeper. |
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The name of the H.323 ID or E.164 alias that is registered. This is configured in Site Settings . |
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The current status of the registration with the gatekeeper. If the status is ‘Not Registered,’ then check that the alias is not a duplicate of another system registered to this gatekeeper. |
A red exclamation point means that there is a problem. The accompanying error message explains why. |
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The name of the H.323 ID or E.164 alias that is registered. This is set in a recording alias (see the Adding or Editing Recording Aliases section). |
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The current status of the registration with the gatekeeper. If the status is ‘Not Registered,’ then check that the alias is not a duplicate of another system registered to this gatekeeper. |
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Click on an entry to display its details (see the Adding or Editing Recording Aliases section). |
To display detailed information about registrations with a SIP registrar, in the Management tab, go to Configuration > Site Settings . Then click View all SIP registrations . The page that appears is a status page. You cannot edit any fields. The following information is displayed:
SIP registration status as enabled means that the trunk between Content Server and CUCM is not active. |
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Note When using the CUCM call manager, you can only use the trunk option to configure the Content Server. |
SIP Trunk status as active means that the trunk between Content Server and CUCM is active. |
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The SIP address (URI) that is registered. This address is set in Site Settings . |
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The SIP display name sent with the registration. This is set in Site Settings . |
This is presented as a description of the SIP URI by the SIP registrar to other systems. |
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The status of Content Server’s system registration with the SIP registrar. |
A red exclamation point means that there is a problem. The accompanying error message explains why. |
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The SIP address (URI) that is registered. This is set in a recording alias (see the Adding or Editing Recording Aliases section). |
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The SIP display name sent with the registration. This is set in a recording alias (see the Adding or Editing Recording Aliases section). |
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The name of the recording alias that uses this registration. |
Click on an entry to display its details (see the Adding or Editing Recording Aliases section). |
To upload a language pack to the Content Server, do the following:
Step 1 Download language packs that are available for this release from Cisco.com
Step 2 In the Content Server web interface, click Upload language pack . The Install language pack dialog box appears.
Step 3 Browse to the language pack .zip file that you downloaded from Cisco.com. Then click Upload .
Step 4 Return to Site Settings , and refresh the page. Check that the language appears in the Preferred language drop-down menu.
Step 5 If you want the language in the downloaded language pack to be the preferred language for the Content Server interface for all Content Server users, you must choose it from the Preferred language drop-down menu. Then click Save .
Content Server users view the interface in the language that was set by a site manager until the users choose another language option from the Select language link in the top right corner of the interface.
The English (default) language pack cannot be uninstalled.
To remove a previously uploaded language pack, do the following:
Step 1 Open a Remote Desktop Connection to the Content Server. Log in as an administrator.
Step 3 Delete the language folder (for example, zh_CN) for the language pack that you want to remove.
Step 4 Log out of the Remote Desktop Connection session.
After you delete the folder, the language pack does not appear in the Preferred language drop-down menu in Configuration > Site Settings . It also does not appear as language in the Select language menu at the top right of the interface.
A group or user with access to the Content Server can have one of three roles. Each role has access to different menus in the interface when you log in as a user with a specific role.
The roles and available menus are as follows:
Understanding Group and User Accounts
Groups and users have to be Windows group or user accounts before they can be added to the Content Server. Adding users to the Content Server might happen automatically, depending on whether or not guest access is enabled in Configuration > Site settings . You must also consider the authentication mode set in site settings (LDAP, Domain, or Local). The appropriate authentication mode depends on how user accounts are organized in your company:
You use Active Directory, but your Content Server is not in a domain or is in a different domain from the domain that contains your groups and users.
Note Before changing authentication mode to LDAP, a site manager must add at least one LDAP group or user with the site manager role to the Content Server. Under LDAP authentication, local users (user accounts set up through the Windows Server administration interface) and the local administrator cannot log in using the login dialog. However, the local administrator can log in by adding #page:login&rescue:true
to the end of the Content Server URL in the browser: http://<ContentServerIPaddress>/Content Server/#page:login&rescue:true
.
Step 1 From the Management tab, go to Configuration > Site settings .
Step 2 For Authentication mode, click LDAP .
Step 3 Enter the details of your LDAP server or servers.
Step 4 From the Management tab, go to Configuration > Groups and users .
Step 5 Add the LDAP groups or users to the Content Server in the appropriate format. Assign an appropriate role (Viewer, Creator or Site manager).
All users and all members of the added groups now automatically have access to the Content Server using their normal Active Directory username and password. Groups and users with their roles are listed in Configuration > Groups and users .
You use Active Directory, and your Content Server is in the same domain as your groups and users. (This option is recommended for a Content Server cluster.)
Step 1 From the Management tab, go to Configuration > Site settings .
Step 2 For Authentication mode, click Domain .
Step 3 Enter the details of your LDAP server or servers so that the Content Server has access to group information.
Step 4 From the Management tab, go to Configuration > Groups and users .
Step 5 Add the domain groups or users to the Content Server in the format group.name or DOMAINNAME (optional)\username: Display Name(optional)>. Assign the correct role (Viewer, Creator or Site manager).
All users and all members of the added groups now automatically have access to the Content Server using their normal Active Directory username and password. Groups and users with their roles are listed in Configuration > Groups and users .
You do not use Active Directory. (This option is the least preferred because it is more time consuming to configure and maintain accounts.)
Step 1 Create local user accounts on the Content Server for every user. Open a Remote Desktop Connection to the Content Server. Log in as an administrator. Create the accounts in the Windows Server administration interface. (See the Managing Local Users and Groups for more information.)
Step 2 From the Management tab, go to Configuration > Site settings .
Step 3 For Authentication mode, click Local .
Step 4 From the Management tab, go to Configuration > Groups and users .
Step 5 Add every user individually to the Content Server in the Add groups or users page with the correct role (Viewer, Creator, or Site manager). Local users must be entered in the format MACHINENAME\username:Display Name (optional).
All users now have access to the Content Server using the username and password of their local account. Users with their roles are listed in Configuration > Groups and users . Their role is displayed next to the name.
Note Local authentication does not support groups.
Displaying the Groups and Users List
To display the groups and users list, go to Configuration > Groups and users . The list shows both groups and users alphabetically by name and additional information about the groups and users (see Table 1-19).
The icon for each entry tells you whether it is a group or a user.
To see only groups or only users, choose Only groups or Only users from the Show drop-down list.
From Configuration > Groups and users , a site manager can do the following:
Site managers can add new groups or users to assign them a role. Site managers can also update existing ones. We recommend that you work with groups whenever possible; then users can be added automatically.
To add a new call configuration, do the following:
Step 1 Go to Configuration > Groups and users .
Step 2 Click Add groups or users .
Step 3 Enter settings in the configuration fields (see Table 1-20).
To edit an existing group or user, do the following:
Step 1 Go to Configuration > Groups and users .
Step 2 Click Edit next to the group or user that you want to modify.
Step 3 Edit settings in the configuration fields as needed (see Table 1-15).
For Content Servers that are registered to an H.323 gatekeeper as a gateway or CUCM as SIP trunk, site managers can configure the Content Server to automatically create personal recording aliases for users with creator privileges. When a creator logs in to the Content Server web interface, a unique recording alias containing a personal SIP URI and/or H.323 ID is automatically assigned to them. The automatically created recording alias then becomes the user’s personal recording alias.
For example, the site manager can create an LDAP user group called Content Server_creators and enter this group into the creator role when adding users and groups. When a member of the Content Server_creators group logs in with their LDAP credentials, they can use the Content Server to record TelePresence sessions by including their LDAP username in the SIP URI ( username@content server_sip_domain ), or in the H.323 ID ( record.username ).
Observe these guidelines and limitations:
The name of the recording alias will be the user display name and username, for example John Smith (jsmith) . The H.323 alias will consist of the H.323 gateway prefix with the username appended, for example record.jsmith . The E.164 alias will consist of the E.164 gateway prefix with a random six-digit number appended. SIP URI and SIP display name fields will be blank.
Step 1 Follow the instructions in “Option 1: LDAP” section to configure an LDAP creator group, and enter a unique name such as Content Server_creators .
Step 2 From the Management tab, go to Configuration > Site settings > User properties .
Step 3 To enable automatic recording alias creation, click the Automatically create personal recording aliases for creators check box.
Step 4 Select a system alias in the Recording alias settings to copy drop-down menu.
Step 5 Enter the email address suffix in the form @company.com .
The creator will receive an email each time that a recording is completed.
Note The Content Server does not support running Windows services such as Active Directory Domain Services (ADDS), DNS server, or file services. You should configure an external server for all Windows-based services.
Beginning with Cisco Content Server Release 7.0, all Windows Server 2008 administration and configuration is accomplished by using Windows Remote Desktop Connection to access the server administration interface.
Using Windows Remote Desktop Connection from Your Computer for Windows Server Administration
To access Windows Server 2012 administration interface, do the following:
Step 1 On your computer, go to Start > All Programs > Accessories > Remote Desktop Connection . (On some computers, the path is Start > All Programs > Accessories > Communications > Remote Desktop Connection .)
Step 2 In the Remote Desktop Connection dialog box, enter the IP address or DNS name of the Content Server.
Step 3 If you are upgrading software, applying security updates, or manually copying in a recording import file to the Content Server, you need to share your disk drives:
a. In the Remote Desktop Connection dialog box, click Options .
b. Click the Local Resources tab. In the Local devices and resources section, check Drives (click More if you do not see this option).
Step 5 Log in with an administrator account username and password. This account can be the local administrator account, or if the Content Server is in a domain, a domain administrator account.
Step 6 The Server Manager user interface appears.
Changing the Local Administrator Account Password
The local administrator account is a built-in Windows account that has complete access to the local system. It has been added to the Content Server groups and users list as <machine-name>\Administrator with a site manager role. This account cannot be deleted from the list.
You can use this account to log in to the Content Server web interface, the Windows Server administration interface, and the Remote Desktop Connection.
Because this account has complete access to the Content Server, we recommend that you change the local administrator password regularly.
Note Do not change the local administrator account username.
To change the local administrator account password, do the following:
Step 1 Log in to the Content Server by using a Remote Desktop Connection. Go to Start > Control Panel > User Accounts > Change your Windows password . The User Account window appears.
Step 2 Click Change your password .
Step 3 Enter the current password and new password. Then confirm the new password.
Step 4 Click Change password .
Updating the System Date and Time
The system date, time, and time zone must be correct. They were set during installation, but you can update them if necessary. To update, do the following:
Step 1 Log in to the Content Server by using a Remote Desktop Connection and the Administrator password.
Step 2 In the Server Manager window, click the time and date box in the lower right corner to open the settings window. Or, go to Start > Control Panel > Clock, Language, and Region > Set the time and date .
Step 3 Click Change date and time settings .
Step 4 Update the date, time, and time zone. Click OK .
Step 5 Restart the server. Go to Start > Log Off > Restart .
Managing Local Users and Groups
Depending on the Content Server authentication method, you might need to create, edit, or delete local user or group accounts in the Server Manager user interface. To verify the Content Server authentication method, go to Configuration > Site settings in the Content Server web UI.
To manage local users and groups, do the following:
Step 1 Log in to the Content Server by using a Remote Desktop Connection.
Step 2 In the Server Manager window, go to Local Users and Groups .
Step 3 Select a Local User or Groups folder. In the Actions window, select More Actions > New User or New Group to add a new user or group.
Step 4 After entering the account settings, click Create .